The forceful and assured soprano of Jenny Ashman brings brio to such classics as "Losing My Mind" and "Another Hundred People" Also sounding terrific is versatile Morgan Duke, whose wide-ranging numbers include "Send in the Clowns" and "The Miller's Son." She teams up with Ashman in a riveting dramatic rendition of "A Boy Like That." Vivacious Jennifer Blake gets most of the comic numbers ("Getting Married Today" and "Ah Paree"), and excels in her efforts.
Joe Donohoe boasts a rich and powerful voice. He's at his best in "Could I Leave You?" a song delivered by a fed-up wife in "Follies" but here given to the husband. Nimble Nick Sarando, exuding an elfin charm, excels in his big moment: the heart-wrenching "Being Alive." As a gender-bender, he joins the gals in lively renditions of "You Could Drive a Person Crazy" and "Gotta Get a Gimmick." Less successful is the half-hearted and contrived gay slant given to "You Must Meet My Wife," in which Sarando fills the shoes of Desiree, expressing jealousy as Donohoe sings of the charms of his young bride. Another discordant note is the tasteless use of suggestive props in "Can That Boy Fox Trot?" sung by Duke and Blake. Sondheim is about subtlety and wit—not requiring crude impositions on the material.
The designs are modest but effective, and Richard Berent's music direction and accompaniment are splendid.
Presented by and at the Attic Theatre & Film Center, 5429 W. Washington Blvd., L.A. Mar. 12-Apr. 18. Fri.-Sat., 8 p.m.; Sun., 2 p.m. (323) 525-0661. www/attictheatre.org/tickets.