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    CENTERSTAGE: Commercial Appeal

    Call me naive, but I was surprised to see so many more people attending the commercials panels over the legit panels that were held as part of Back Stage's Actorfest the other week. Is it simply the financial reward that draws performers to TV commercials, or do some people ...

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    The Voice Is the Thing: Vocal Coaches on the Shakespeare Challenge

    "It's very helpful and exciting, and he's not dictatorial. He just wants to help you solve the

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    Dear Readers:

    Dear Readers:

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    Critic's Picks

    ¥ ACME Schmacme, presented by and at the ACME Comedy Theatre, 135 N. La Brea Ave., Hollywood. Through July 25. (213)

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    EXTRAS (SAG TV)

    The following extras casting companies may also provide a registration and/or photo fee-based service to be included in their permanent files for consideration on all projects. But you should not be required to register in order to be considered for the particular projects advertised here. Alert "Back Stage West ...

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    Biography on Stage: Interpretation or Imitation?

    Shortly before No"l Coward died in 1973, he asked his biographer Sheridan Morley-a British theatre critic and journalist-to write a second biography of him, one that would touch on certain facts that were discreetly missing from Morley's first, "A Talent to

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    REGIONAL ROUNDUP

    PROVIDENCE, R - IIt's not a mess of pottage, exactly. But Alias Stage, a 16-year-old leader of Providence's lively "Off Trinity Rep" theatre scene, has just completed its name

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    DANCE DIARY - Two Tragedies From Italy's Aterballetto

    Aterballetto, currently on an extensive tour of the U.S., recently came to Brooklyn College's Whitman Hall, offering as its main attraction Artistic Director Amedeo Amodio's "Suite From Romeo and Juliet." The company bills itself as Italy's only permanent ballet outside of those attached to opera

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    Hail A Ride!

    Rod Gill's "Tall Taxi Tales," a play which "exposes the bizarre encounters in rear seats as only New York City hacks can tell it," will be performed in a free reading on Mon., June 16 at the John Houseman Theatre Studio Too, 450 W. 42nd St. Information: (718)