5 Keys to a Successful Self-Taped Audition (and 5 Things Not to Do)

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You just got a call from your agent or favorite casting director who wants to include you in a casting for a major role on a new pilot or film! It’s great news until you realize they requested a self-taped audition, and they want it ASAP.

Luckily, you’re secure in your talent and ability to ace this but then you get to thinking: What should I wear? Do I memorize or hold the script? Should I have a reader or another actor perform opposite me? Do I use a smartphone, rent a studio, or hire a video service and spend the bucks to get great lighting and a good camera? Do I shoot in a long shot, medium, or close-up? All three? Go all out with a dramatic read or keep it subtle?

A thousand questions swirl around your brain and suddenly you’re in anguish. You need to make major decisions and there’s so little time. So what do you do? Don’t sweat it! Follow these simple do’s and don’ts, and you'll nail the self-tape every time.

READ: 13 Self-Tape Mistakes That Sabotage Your Chances

Do memorize the script.
Though it’s standard procedure to hold a script when auditioning in person, it’s paramount that you give a performance and not a “read” on video. Since a taped audition is locked in place, that first impression is all you get to show whoever views it. Be prepared and know the material so you can give a winning performance.

Do find a partner to perform with.
Ask the best actor you know to play opposite you. They shouldn’t be on screen with you, but you want someone you can really “play” with /respond to even if they’re just reading lines. Keep your focus on them and look directly into the lens. The more they see your face in the strongest position, the better. Three-quarter angles and profiles are weaker and don’t sell you.

Do make sure the camerawork is solid.
You can use a smartphone to tape yourself, but make sure to use a tripod so the camera is stable. If you decide to hire a service that shoots videos, ask the camera person to frame the shot as a medium close up; no one needs to see your shoes or your wrinkled jeans. You want to duplicate the angles and shots that a real prime time show would use. If you look like you belong on the show, they’ll be more disposed to get you on the show.

Do stay within the frame.
It’s OK to move your head and use your hands and body, but you need to size the performance for the media. You don't want to stand stiffly—be natural—but you also shouldn’t be running around off camera.

Do dress the part (or at least suggest it).
A lawyer in a suit, an undercover cop in a leather jacket, a Washington socialite in a cocktail dress. For women, wear TV makeup (no red or dark lipstick or heavy eyeliner—keep it natural), and definitely style your hair. Wear a dress, blouse, or sweater in striking solid color. It’s more memorable to be in sapphire blue, fuschia pink, yellow, or emerald green as opposed to dull gray, beige, or black. Avoid patterns that can make the camera go out of focus and be very distracting. Men can wear dark suits or jackets, but add color with a shirt, tie, or sweater. A video audition says you look the part, are photogenic, and are a fantastic actor while looking attractive. It’s not just about your talent.

READ: The Color You Should Wear for On-Camera Auditions

Don’t hold the script and read.
You will eventually look down or away, losing focus while you check a line. They’ll assume that you’re a beginner and/or aren’t prepared.

Don’t get too hung up on technique.
A well-intentioned acting teacher might have told you to “tone it down” or lower your volume for the microphone, but this is a classic mistake actors make when thinking they have to use “TV technique.” Don’t be afraid to move or use your body while staying within the frame of the shot. Casting directors, producers, writers, and directors all want to be excited and inspired by your creative choices and energy.

Don’t wear your old jeans and dirty sneakers.
Unless you are absolutely sure that’s what the character would wear or that the camera person will not include that view in the frame.

Don’t forget to powder.
A shiny nose or forehead might project nervousness or “flop sweat,” not just that you have oily skin.

Don’t announce your name, agent, height, weight, or dress size and then start “acting.”
Aim to be in character when the camera starts rolling, not caught in a static, stunned, or stiff position. If you must announce your name, take a moment to shift gears and get into character before starting the scene.

Having been selected by major N.Y. and L.A. agents, casting directors and personal managers as the “Foremost Marketing Coach for Actors,” Gwyn was a successful actor herself working in all medias. As an Emmy Award-nominated contract player, she appeared on “All My Children,Guiding Light, As The World Turns, One Life to Live, and others. Gwyn also guest-starred in primetime pilots and TV series. Favorites include: The Lucy Arnaz Show and Woman of Valor (Emmy Award). She appeared on and off-Broadway, and in classical Repertory theater productions, from Shakespeare, Moliere, and Tennessee Williams to Noel Coward. On Broadway, she was in Kaufman and Hart’s The Man Who Came to Dinnerat the Circle in the Square and Joshua Logan’s last play, Trick.

With coaching clients on both coasts and internationally working in all medias, she is the premier role model with winning strategies and first-hand knowledge of the TV, film, and theater industries which she willing shares to help new actors succeed. Gwyn offers actors a complimentary 15-minute career session upon request. You can reach her at info@gwyngilliss.com or check out her coaching programs at gwyngilliss.com.

Want to test out your self-tape skills? Check out our film audition listings!

The views expressed in this article are solely that of the individual(s) providing them,
and do not necessarily reflect the opinions of Backstage or its staff.

Gwyn Gilliss
Having been selected by over 100 east and west coast agents, managers, and casting directors as the “foremost marketing coach for actors,” Gwyn has also had a successful acting career in all medias. She studied at Carnegie Mellon, and was an Emmy Award-nominated Daytime/Primetime TV actress with over a dozen contract and recurring roles. Favorites include: “All My Children” (ABC),“The Lucy Arnaz Show” (CBS), and “Woman of Valor” (NBC, Emmy Award).
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