No matter how big or small the job is, booking a modeling gig can be incredibly challenging. Dealing with the rejection from not booking the job you wanted can be even tougher if you don’t deal with it properly.
So how do you up your chances of success? Just like professional athletes, models are constantly looking for something to give them a competitive edge. Over the course of my 30-plus years in the industry, I’ve found there are three secrets to doubling your chances of booking your next modeling job.
1. Dress the part
First things first: A go-see is just an audition for models, nothing else. When it comes to actor auditions, there are two philosophies about how to dress. Some actors think that dressing for the part comes across as desperate and that the casting director can see them as a character simply be their read. Others believe it’s helpful to wear the appropriate wardrobe to allow casting directors and others involved in the project to see them as that character. It’s a personal choice.
For go-sees, however, there’s no dialogue; industry professionals decide if you’re right for the job simply by looking at you, which means it’s important to dress the part (without going overboard). If you’re attending a go-see for a part as a doctor, you don’t need a stethoscope around your neck, a tongue depressor in your pocket, and paper booties over your shoes. But do wear something appropriate that will allow the people who matter to envision you as a doctor, like a dress shirt and slacks.
2. Don’t rush to sign in
When first arriving at a go-see, you will typically fill out some paperwork. The people running the go-see need to know your contact information, your agent’s information, your wardrobe sizes, and sometimes a listing of any ads you’ve done for competitors over the past few years to make sure there are no conflicts of interest, so take your time and make sure they have everything from you they need.
Unlike union auditions, there typically is not a specific appointment time. Instead, there’s a sign-in sheet to organize the order in which everyone has their photo taken. I highly recommend not signing in until you are 100 percent ready to have your photo taken. Take a look around the room to see if there’s a layout of the ad that depicts the general idea of how the ad will look (similar to a storyboard). If there is one, study it. Try to embody the person in the layout.
3. Ask the right questions
This step is crucial, one that can make all the difference between booking a modeling job and not. It’s also one that few commercial models think to ask—meaning when you do ask it, you’ll stand out.
Before your photo is taken, ask the photographer: “What are you looking for, and why?”
Maybe you know they’re looking for someone who seems happy, but that single emotion doesn’t tell us anything. Asking why will inform your motivation for that emotion and help you differentiate. For example, maybe you’re on a go-see for a pharmaceutical company and you’re a doctor who needs to look happy. Did you save someone’s life? Are you about to offer a new medication that can help extend a patient’s life? These are two very different types of happiness, so you need to know what the rationale is for the emotion you’re being asked to create.
Don’t ever try to play it safe by giving a generic look in order to avoid giving the “wrong” look. That kind of approach to auditioning never works well. Even if you’re not provided with a ton of information, pick a specific look based on what you do know. That ability to decide and commit will give you a tremendous advantage while attending a go-see.
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and do not necessarily reflect the opinions of Backstage or its staff.