Photo Source: Debi Landrie
There are named characters, though it hardly matters, including Bob's Mom (Mari Marks), Phil the Trucker (Danny Parker-Lopes), Phil's Girl (Maria Tomas), and the nonspeaking Roller Girl (Breeze Braunschweig). There's also an entire barbershop chorus that delivers a mini concert. Mee's script delves into the building blocks of art and love, while the visuals involve a rolling bathtub, a man in a chicken suit, and a martini Slip 'n Slide.
DeLorenzo, who has directed a few Mee plays, successfully evokes whimsy when needed, as well as understated sadness, all while keeping a pace that's brisk enough to keep the less compelling moments from dragging down the performance. The cast works in harmony, flitting in and out of scenes as if each actor is part of a single entity. Ken Roht's choreography injects energy and humor to a couple of dance numbers. And Marina Mouhibian's set resembles a collection of Rauschenberg combines, which creates an ideal atmosphere. Not every scene of "bobrauschenbergamerica" is a winner, but as a whole it's entertaining and memorable.
Presented by TheSpyAnts at [Inside] the Ford, 2580 Cahuenga Blvd. East, Hollywood. Jan. 23–Feb. 28. Thu.–Sat., 8 p.m.; Sun., 3 and 7 p.m. (323) 461-3673. www.fordtheatres.org.