Whether it’s a self-tape or an in-person audition, memorizing your lines is always a good idea. That way you’re free to focus on something other than the script. Sounds simple, right? But what if your audition is tomorrow... or in three hours? How can you commit your lines to memory as quickly as humanly possible?
From coaches to casting directors to working actors, we asked 9 industry professionals for the best way to memorize lines. Here are their top techniques and tips for memorizing lines—and doing it fast.
2. Accept that your memory is already much better than you think, because I promise you, it is.
3. Realize that scripts are merely a string of sentences and that each sentence is just a grouping of images, ultimately used to convey story and meaning. If you can picture an image for each key word or phrase, then you can connect those images as you might link in a chain.
4. Spend at least 50 percent of your rehearsal time on the most difficult parts, even if they only represent one percent of the entire script or scene.
Cathryn Hartt, founder of Hartt and Soul Studio
There are several tricks to make memorization a piece of cake:
1. From the very first time you see the scene, read it like a good novel and imagine yourself in the scene as if it were real. This will already start making the reality and flow of the scene make sense to you. Make sure you understand what is making you say your words and what causes you to transition from one beat to the next.
2. Take one little section at a time. Start with the first section and go until it makes sense to make a big shift and work on that one area. Then, go away for a short time. When you come back, go over that first section and then go move to the next section. Keep taking breaks often.
3. Move while you memorize. It helps you to remember easier.
4. Tell yourself it is easy to memorize. Positive thinking!
Philip Hernández, NYC-based audition coach
First, figure out what you want in the scene. Then identify the events that move you toward or set you back from getting it. New events require you to adjust your thinking in order to continue getting what you want. Think of each adjustment as a new section in your train of thought.
Having a train of thought that makes sense to you rather than thinking about dozens of individual lines to memorize is more manageable and makes memorization much easier. It’s a bit like the idea bullet points. You can remember an entire speech because you only have to remember five bullet points, not 1,000 words! Understand your train of thought and the individual lines will come faster.
Kate McClanaghan, L.A.-based casting director
Learning lines quickly is a matter of conditioning; it takes practice. The more you do it, the better you get at it. Visualize what you’re talking about, rather than focusing strictly on how to say it. If you have very little imagery in the text you’re attempting to commit to memory, flex your imagination. Imagine what the language in the text reminds you of, then picture each thought using as many of your senses as possible to recall each thought (each line). In other words, picture what you’re talking about with as much sound, movement, and imagery as possible. Walk around your room and place each thought in a different spot as you do. This engages sight and your own movement as well and explains why we learn our lines best when on our feet. The results may astound you.
Retta Putignano, founder of Create Your Reel
There are many ways in which to memorize lines, and figuring out which one works for you is imperative. I use a couple of devices. To start, once I’ve read through everything, I cover the script, and go through line by line. If I forget a line, I go back to the top until I can get through the entire page without peeking. Once I can achieve that, I go for speed. I also tend to have a photographic memory, so I envision where the line is on the page, when a new page starts, etc. and that can be helpful for recall. If there’s blocking, I memorize using that physicality, which tends to help connect the line and the intention behind it. And of course, repetition and practice are key. Memory is a muscle that needs to be exercised.
Mae Ross, founder of 3-2-1- Acting Studios
The most obvious tried-and-true method is repetition, repetition, repetition. But for some actors, repetition is not enough. To get more support, rehearse with another actor or anyone who is willing to help. They don’t have to be a great actor. In fact, having a rehearsal partner read monotone will prepare you to work with an untrained reader.
No time to rehearse with a person? Line-learning apps have become increasingly popular to help you memorize. I recommend Rehearsal, the App.
The oldest trick in the book is to hand-write all the lines down on a piece of paper. And then do it again. This sound tedious, yes, but it works.
Actors have different learning styles, Some are visual. Others learn best by hearing. Many by doing. And some are tactile and respond well to writing things down.
Denise Simon, NYC-based acting coach
Repeat, repeat, repeat. This is the best way to condition your brain quickly. Highlight the character’s lines. This will allow you to quickly locate the appropriate line when glancing down at the paper. Break the lines down into smaller pieces. Don’t tackle the entire script all at once. Break the script down into small sections and repeat, repeat, repeat until the lines are ingrained. Work on lines before going to sleep. Studies have shown that studying lines right before bed can have a big impact on recall. Be sure to review them again in the morning to help lock them into memory.
John Swanbeck, director-author
Try memorizing images instead of lines. It’s a technique I use whenever I’m directing actors to play Shakespeare or any material that employs imagery or descriptive language, but it works with all material as long as the actor has an imagination. I’ve seen actors use it to memorize entire acts of a play in a weekend. Simply associate a specific image or visual with each of your lines and your lines will come to you much faster. It’s because the mind remembers images faster and better than it does words. Obviously, it helps if the material is of a certain nature, but you can take even the most ordinary, boring dialogue and associate images with it as long as you have an imagination. Worth a try!
Ryan R. Williams, L.A.-based on-camera coach, founder of Screen Actors System
I train the actors at Screen Actors System to never “memorize.” It’s not school. Don’t cram. You need to know the lines deeply. How much information have you memorized for school tests? Forgotten. Worthless. Now recall a true story from your own life. Easy. Think of the words as part of your story, because in fact, they are.
Don’t get me wrong, as a director and writer I expect you to be word-perfect. A contradiction? No.
Just learn the lines this way: Conduct a full-text analysis of the scene. Identify all the beats. Chose your objectives, points of focus, tactics, and consider the emotional obstacles. Mark them on the page. Investigate your character’s backstory. By no means should you repeat the lines out loud over and over again. This will only cement the lame rehearsal delivery.
By the time you know the scene as a dramatist, you will have learned the lines organically. Memorization is a bore. Exploring material is exciting. Even if I only had 15 minutes, I would still work it in this way.
Do this. Let go. And you will know the lines.
*This post was originally published on May 4, 2016. It has since been updated.
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The views expressed in this article are solely that of the individual(s) providing them,
and do not necessarily reflect the opinions of Backstage or its staff.